{"id":120180,"date":"2026-08-20T16:17:04","date_gmt":"2026-08-20T10:47:04","guid":{"rendered":"https:\/\/vajiramandravi.com\/current-affairs\/?p=120180"},"modified":"2026-08-20T16:17:04","modified_gmt":"2026-08-20T10:47:04","slug":"maru-gurjara-architecture","status":"publish","type":"post","link":"https:\/\/vajiramandravi.com\/current-affairs\/maru-gurjara-architecture\/","title":{"rendered":"Maru-Gurjara Architecture, Origin, Features, Examples, Patronage"},"content":{"rendered":"<p><b>\u00a0<\/b><span style=\"font-weight: 400;\">The <\/span><b>Maru-Gurjara style of architecture<\/b><span style=\"font-weight: 400;\"> is a distinctive temple-building tradition that developed mainly in <\/span><b>Gujarat and Rajasthan<\/b><span style=\"font-weight: 400;\"> between the<\/span><b> 8th and 13th centuries CE<\/b><span style=\"font-weight: 400;\">. It is also known as the <\/span><b>Solanki or Chaulukya style<\/b><span style=\"font-weight: 400;\"> and is considered a <\/span><b>regional form of Nagara architecture.<\/b><span style=\"font-weight: 400;\"> The style is known for its highly detailed stone carvings, ornate temples and rich sculptural decoration.<\/span><\/p>\n<h2><b>Maru-Gurjara Architecture Origin and Development\u00a0<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The name <\/span><b>Maru-Gurjara<\/b><span style=\"font-weight: 400;\"> combines Maru, referring to the desert region of Rajasthan, and Gurjara, referring to Gujarat.\u00a0<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The style <\/span><b>developed mainly under the Chaulukya or Solanki rulers of Gujarat <\/b><span style=\"font-weight: 400;\">and was also supported by Rajput rulers of Rajasthan.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It flourished particularly under rulers such as <\/span><b>Bhima I and Kumarapala.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jain merchant communities<\/b><span style=\"font-weight: 400;\"> also played an important role in its development, especially through patronage of Jain temples.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Over time, it developed as a distinct regional form of the <\/span><a href=\"https:\/\/vajiramandravi.com\/current-affairs\/nagara-style\/\" target=\"_blank\"><span style=\"font-weight: 400;\"><strong>Nagara style<\/strong><\/span><\/a><span style=\"font-weight: 400;\">, shaped by local artistic traditions and skilled craftsmanship.<\/span><\/li>\n<\/ul>\n<h2><b>Maru-Gurjara Architecture Features<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Maru-Gurjara architecture<\/b><span style=\"font-weight: 400;\"> is known for its complex temple plans, fine marble work, richly carved pillars and ceilings, ornate gateways and detailed sculptures. Its architectural features are also described in texts such as the <\/span><b>Aparajitaprccha<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Samarangana Sutradhara<\/b><span style=\"font-weight: 400;\">, which discuss temple construction, ceilings, toranas and other elements of architecture.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>White marble and sandstone<\/b><span style=\"font-weight: 400;\"> were the main materials, with marble from the Mount Abu region used prominently.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Temples often had a <\/span><b>stellate or multi-faceted plan<\/b><span style=\"font-weight: 400;\">, giving the outer walls several projections and recesses.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The <\/span><b>shikhara was curvilinear<\/b><span style=\"font-weight: 400;\">, following the Nagara tradition, and was often surrounded by smaller spires called<\/span><b> urushringas.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Mandapas<\/b><span style=\"font-weight: 400;\"> were <\/span><b>elaborate pillared halls<\/b><span style=\"font-weight: 400;\"> with richly carved ceilings and decorative elements.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The <\/span><b>ranga-mandapa <\/b><span style=\"font-weight: 400;\">was an open pillared hall with 12 pillars along its outer edge and an inner octagonal arrangement supporting the ceiling.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A <\/span><b>detached pillared hall<\/b><span style=\"font-weight: 400;\"> was called a <\/span><b>sabha-mandapa<\/b><span style=\"font-weight: 400;\">, while a large or multi-storeyed hall was known as a<\/span><b> meghanada-mandapa.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Vitana <\/b><span style=\"font-weight: 400;\">referred to the elaborately carved, concentric and corbelled ceiling, often decorated with pendant lotus motifs.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The characteristic pillar design, known as the <\/span><b>West Indian Order<\/b><span style=\"font-weight: 400;\">, had a square or octagonal base, a sixteen-sided middle section and a richly decorated circular capital.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bracket figures, including <\/span><b>female celestial figures or surasundaris<\/b><span style=\"font-weight: 400;\">, were carved at the junction of pillars and capitals.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Gajathara<\/b><span style=\"font-weight: 400;\"> was a plinth band decorated with a continuous row of elephants, while Narathara above it showed human figures, dancers, musicians and scenes of everyday life.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Toranas <\/b><span style=\"font-weight: 400;\">were ornamental gateways at temple entrances, while kirti-toranas were free-standing ceremonial gateways placed before the mandapa.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Kirtistambhas<\/b><span style=\"font-weight: 400;\">, or pillars of fame, were another distinctive decorative feature.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A <\/span><b>kunda<\/b><span style=\"font-weight: 400;\"> was a stepped temple tank, often placed on the same axis as the temple.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The style is especially known for its <\/span><b>fine, lace-like and filigree-style carving<\/b><span style=\"font-weight: 400;\">, particularly in marble.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Stone beams, rafters and roof ribs <\/b><span style=\"font-weight: 400;\">were sometimes carved to imitate <\/span><b>wooden architectural forms.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The style was used for both Hindu and Jain temples, as both traditions patronised craftsmen from the same artisan communities.<\/span><\/li>\n<\/ul>\n<h2><b>Maru-Gurjara Architecture Important Examples\u00a0<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The Maru-Gurjara architecture can be seen in several important temples, stepwells and gateways across Gujarat and Rajasthan.<\/span><\/p>\n<h3><b>Dilwara Jain Temples<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Dilwara Jain Temples<\/b><span style=\"font-weight: 400;\"> at <\/span><b>Mount Abu, Rajasthan<\/b><span style=\"font-weight: 400;\">, are among the finest examples of Maru-Gurjara marble craftsmanship.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Vimal Vasahi was built by <\/span><b>Vimal Shah<\/b><span style=\"font-weight: 400;\"> in 1031 CE.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Luna Vasahi was built later by Tejahpala in 1230 CE.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The temples are especially famous for their highly detailed marble ceilings and carvings.<\/span><\/li>\n<\/ul>\n<h3><b>Modhera Sun Temple<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Sun Temple at Modhera<\/b><span style=\"font-weight: 400;\"> in <\/span><b>Gujarat<\/b><span style=\"font-weight: 400;\"> was built under <\/span><b>Bhima I<\/b><span style=\"font-weight: 400;\"> of the <\/span><strong><a href=\"https:\/\/vajiramandravi.com\/current-affairs\/solanki-dynasty\/\" target=\"_blank\">Solanki dynasty<\/a><\/strong><span style=\"font-weight: 400;\"> around <\/span><b>1026 CE.<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The complex consists of the Surya Kund, Sabha-mandapa and Garbhagriha.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">These structures are arranged along a single east-west axis.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The Surya Kund contains 108 miniature shrines.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The design allows the rising sun&#8217;s rays to pass through the complex towards the sanctum around the equinoxes.<\/span><\/li>\n<\/ul>\n<h3><b>Rani ki Vav<\/b><\/h3>\n<p><b>Rani ki Vav at Patan<\/b><span style=\"font-weight: 400;\">, <\/span><b>Gujarat<\/b><span style=\"font-weight: 400;\">, shows the application of the Maru-Gurjara artistic tradition to a stepwell.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It was built by <\/span><b>Rani Udayamati<\/b><span style=\"font-weight: 400;\"> of the Solanki dynasty in the 11th century.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It was inscribed as a <\/span><b>UNESCO World Heritage Site in 2014.<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It is also depicted on the \u20b9100 currency note.<\/span><\/li>\n<\/ul>\n<h3><b>Taranga Jain Temple<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The Ajitnatha Temple at Taranga, Gujarat, was built by <\/span><b>Kumarapala<\/b><span style=\"font-weight: 400;\"> of the Solanki dynasty in the 12th century.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Its construction was associated with the guidance of Acharya Hemachandra.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The complex contains 14 Svetambara and 5 Digambara shrines.<\/span><\/li>\n<\/ul>\n<h3><b>Rudra Mahalaya<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Rudra Mahalaya<\/b><span style=\"font-weight: 400;\"> at Siddhpur, <\/span><b>Gujarat<\/b><span style=\"font-weight: 400;\">, was a grand Shiva temple.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It was begun by Mularaja and completed by Jayasimha Siddharaja around 1140 CE.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Much of the temple was later destroyed, but toranas and pillars survive.<\/span><\/li>\n<\/ul>\n<h3><b>Kirti Toran at Vadnagar<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Kirti Toran<\/b><span style=\"font-weight: 400;\"> at Vadnagar, <\/span><b>Gujarat<\/b><span style=\"font-weight: 400;\">, consists of two free-standing ceremonial gateways. It dates to the 12th century. It is an important surviving example of the kirti-torana tradition.<\/span><\/p>\n<h3><b>Somnath Temple<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Somnath Temple<\/b><span style=\"font-weight: 400;\"> in Prabhas Patan, <\/span><b>Gujarat<\/b><span style=\"font-weight: 400;\">, is one of the most important<\/span><b> Shaivite temples<\/b><span style=\"font-weight: 400;\"> associated with the Maru-Gurjara architectural tradition.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It is <\/span><b>dedicated to Lord Shiva<\/b><span style=\"font-weight: 400;\"> and is revered as the first of the twelve Jyotirlingas.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The temple has been destroyed and rebuilt several times during its long history.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The present temple was rebuilt in the Chaulukya\/Maru-Gurjara style after Indian independence.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Its architecture features a curvilinear shikhara, ornate carvings, mandapas and richly decorated stonework, reflecting the western Indian temple tradition.<\/span><\/li>\n<\/ul>\n<h3><b>Ranakpur Jain Temple<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Ranakpur Jain Temple in Rajasthan<\/b><span style=\"font-weight: 400;\"> is a major Jain temple complex built in the 15th century, which continued the Maru-Gurjara architectural and sculptural tradition.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The main temple is the Adinatha Temple, dedicated to <\/span><b>Tirthankara Rishabhanatha (Adinatha).<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It was built during the reign of <\/span><b>Rana Kumbha of Mewar<\/b><span style=\"font-weight: 400;\">, with the patronage of the Jain merchant Dharna Shah.<\/span><\/li>\n<\/ul>\n<h2><b>Maru-Gurjara Architecture Patronage and Craft Tradition<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The growth of Maru-Gurjara architecture was closely linked with royal, religious and merchant patronage.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Solanki rulers <\/b><span style=\"font-weight: 400;\">supported large temple-building projects as expressions of power and prosperity.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Rajput rulers of Rajasthan<\/b><span style=\"font-weight: 400;\"> also patronised the tradition.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jain merchant communities <\/b><span style=\"font-weight: 400;\">played an important role in financing Jain temples.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Hindu and Jain patrons<\/b><span style=\"font-weight: 400;\"> often employed the same groups of craftsmen, leading to similarities in architectural form.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The <\/span><b>Sompura\/Salat communities<\/b><span style=\"font-weight: 400;\"> were important artisan groups involved in temple construction in Gujarat and Rajasthan.<\/span><\/li>\n<\/ul>\n<h2><b>Maru-Gurjara and Nagara Architecture<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Maru-Gurjara is a regional form of Nagara architecture, but it developed a distinct identity through its western Indian traditions.<\/span><\/p>\n<table style=\"width: 83.4542%;\">\n<tbody>\n<tr>\n<td style=\"text-align: center; width: 15.1811%;\"><b>Feature<\/b><\/td>\n<td style=\"text-align: center; width: 33.844%;\"><b>Nagara Architecture<\/b><\/td>\n<td style=\"text-align: center; width: 65.0418%;\"><b>Maru-Gurjara Architecture<\/b><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Region<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">North and Central India broadly<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Mainly Gujarat and Rajasthan<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Shikhara<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">Curvilinear<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Curvilinear, often with urushringas<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Decoration<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">Rich<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Extremely intricate and detailed<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Material<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">Varies by region<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Prominent use of white marble and sandstone<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Patronage<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">Various dynasties<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Solanki rulers, Rajput rulers and Jain merchants<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 15.1811%;\">\n<p><b>Religious use<\/b><\/p>\n<\/td>\n<td style=\"width: 33.844%;\">\n<p><span style=\"font-weight: 400;\">Mainly Hindu<\/span><\/p>\n<\/td>\n<td style=\"width: 65.0418%;\">\n<p><span style=\"font-weight: 400;\">Hindu and Jain<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><b>Significance of Maru-Gurjara Architecture<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The Maru-Gurjara style provides insights into the artistic, social, economic and religious life of medieval western India.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">It shows the regional development of the Nagara style in Gujarat and Rajasthan.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sculptures depicting dancers, musicians and everyday activities provide glimpses of contemporary social life.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Grand temples reflect the wealth and economic resources available for large construction projects.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jain merchant patronage highlights the growing role of merchant communities in cultural activities.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Similar forms in Hindu and Jain temples show shared artistic traditions and craftsmanship.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Highly detailed carvings reflect the advanced skills of specialised craftsmen.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Large temples also served as symbols of royal power and prosperity.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Monuments such as Dilwara, Modhera, Rani ki Vav and Taranga preserve the cultural heritage of medieval western India.<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Maru-Gurjara architecture is a regional Nagara style known for intricate carvings, ornate temples, marble work, and examples across Gujarat and Rajasthan.<\/p>\n","protected":false},"author":30,"featured_media":119816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[786],"tags":[9664],"class_list":["post-120180","post","type-post","status-publish","format-standard","has-post-thumbnail","category-general-studies","tag-maru-gurjara-architecture","no-featured-image-padding"],"acf":[],"_links":{"self":[{"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/posts\/120180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/comments?post=120180"}],"version-history":[{"count":4,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/posts\/120180\/revisions"}],"predecessor-version":[{"id":120218,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/posts\/120180\/revisions\/120218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/media\/119816"}],"wp:attachment":[{"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/media?parent=120180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/categories?post=120180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vajiramandravi.com\/current-affairs\/wp-json\/wp\/v2\/tags?post=120180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}