{"id":29632,"date":"2026-09-09T17:53:34","date_gmt":"2026-09-09T12:23:34","guid":{"rendered":"https:\/\/vajiramandravi.com\/upsc-exam\/?p=29632"},"modified":"2026-09-09T17:53:34","modified_gmt":"2026-09-09T12:23:34","slug":"jain-tirthankaras","status":"publish","type":"post","link":"https:\/\/vajiramandravi.com\/upsc-exam\/jain-tirthankaras\/","title":{"rendered":"24 Jain Tirthankaras, List, Symbols, Mahavira, Contributions"},"content":{"rendered":"

Jain Tirthankaras<\/strong> are spiritually enlightened teachers in Jainism who attain Kevala Jnana (omniscience) and show living beings the path to liberation from the cycle of birth and death. The word Tirthankara refers to a \u201cford-maker\u201d or one who establishes a spiritual crossing over samsara.<\/span><\/p>\r\n

According to Jain tradition, the present cosmic age has 24 Tirthankaras of Jainism<\/strong>, beginning with Rishabhanatha (Adinatha) and ending with Mahavira, the 24th Tirthankara. Each Tirthankara is traditionally associated with a distinctive lanchhana (symbol) and colour, which help identify their images in Jain art.<\/span><\/p>\r\n

Tirthankaras Meaning<\/span><\/h2>\r\n

The term 'Tirthankara' comes from Tirtha, meaning 'ford' or 'crossing'. In Jain philosophy, a Tirthankara means a \u201cford-maker\u201d\u2014one who discovers and teaches the path for crossing the cycle of birth and death. Each Tirthankara is associated with a distinct symbol and life tradition, which helps identify them in Jain art and literature.<\/span><\/p>\r\n

Jain Tirthankaras About<\/span><\/h2>\r\n

According to <\/span>Jainism<\/a><\/strong>, there are 24 Jain Tirthankaras; Rishabhanatha (Adinatha) was the first Tirthankara, while <\/span>Vardhaman Mahavira<\/a><\/strong> was the 24th. From a historical perspective, evidence for the early Tirthankaras is limited, while Parshvanatha and Mahavira are generally regarded as the historically identifiable figures of the sequence. Thus, the 24 Tirthankaras combine Jain religious tradition with an important dimension of India's ancient intellectual and cultural history.<\/span><\/p>\r\n

Tirthankaras and Jain Acharyas<\/span><\/h3>\r\n

Jain Tirthankaras and Jain Acharyas both hold important positions in Jainism, but their roles are distinct.<\/span><\/p>\r\n

    \r\n\t
  • Tirthankaras are spiritual exemplars who attain Kevala Jnana and establish or revive the path to liberation, whereas Acharyas are learned monastic leaders who preserve, interpret and transmit Jain teachings.<\/span><\/li>\r\n\t
  • Acharyas are senior leaders of Jain monastic orders responsible for guiding monks and nuns and maintaining monastic discipline. They have played a major role in preserving Jain scriptures, developing philosophical thought and transmitting the tradition across generations.<\/span><\/li>\r\n\t
  • Important examples of Jain Acharyas include Bhadrabahu, Kundakunda, Umasvati and Hemachandra.<\/span><\/li>\r\n<\/ul>\r\n

    Jain Tirthankaras and Their Symbols<\/span><\/h2>\r\n

    The following table provides the commonly used list of the <\/span>24 Tirthankaras of Jainism<\/b>, along with their traditional symbols, birthplaces and colours. Some details, especially certain symbols and colours, vary between <\/span>Digambara and Svetambara traditions<\/b>.<\/span><\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    S.No.<\/b><\/td>\r\nTirthankara Name<\/b><\/td>\r\nSymbol<\/b><\/td>\r\nBirthplace<\/b><\/td>\r\nNirvana Place<\/b><\/td>\r\n<\/tr>\r\n
    \r\n

    1<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Rishabhanatha (Adinatha)<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Bull<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ayodhya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Mount Kailash<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    2<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ajitanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Elephant<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ayodhya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    3<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sambhavanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Horse<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Shravasti<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    4<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Abhinandananatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Monkey<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ayodhya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    5<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sumatinatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Heron \/ Goose<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ayodhya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    6<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Padmaprabha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Red Lotus<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kaushambi<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    7<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Suparshvanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Swastika<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Varanasi<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    8<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Chandraprabha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Crescent Moon<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Chandrapuri<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    9<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Pushpadanta (Suvidhinatha)<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Crocodile<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kakandi<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    10<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Shitalanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Shrivatsa<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Bhaddilpur<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    11<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Shreyansanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Rhinoceros<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Simhapuri<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    12<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Vasupujya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Buffalo<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Champapuri<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Champapuri<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    13<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Vimalanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Boar<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kampilya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    14<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Anantanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Falcon<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ayodhya<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    15<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Dharmanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Vajra \/ Thunderbolt<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Ratnapuri<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    16<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Shantinatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Deer \/ Antelope<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Hastinapur<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    17<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kunthunatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Goat<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Hastinapur<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    18<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Aranatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Nandavarta \/ Fish<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Hastinapur<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    19<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Mallinatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kalasha (Water Pitcher)<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Mithila<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    20<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Munisuvrata<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Tortoise<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Rajgir<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    21<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Naminatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Blue Lotus<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Mithila<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    22<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Neminatha (Arishtanemi)<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Conch<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sauripura<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Girnar Hills<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    23<\/b><\/p>\r\n<\/td>\r\n

    		\r\n

    Parshvanatha<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Serpent \/ Snake<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Varanasi<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Sammed Shikhar<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

    \r\n

    24<\/b><\/p>\r\n<\/td>\r\n

    		\r\n

    Mahavira (Vardhamana)<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Lion<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Kundagrama<\/span><\/p>\r\n<\/td>\r\n

    		\r\n

    Pavapuri<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

    Jain Tirthankaras of the Present Cosmic Age<\/span><\/h3>\r\n

    The present cosmic age, known as Avasarpini in Jainism, has exactly 24 Jain Tirthankaras\u2014supreme spiritual instructors and \"ford-makers\" who acquired omniscience and showed the road to freedom (moksha).<\/span><\/p>\r\n

      \r\n\t
    • These enlightened human souls are not gods, but rather mentors who have overcome inner impulses such as anger and attachment. Their lives and emblems are described in religious books such as the Kalpasutra.<\/span><\/li>\r\n\t
    • Rishabhanatha is regarded as the first Jain Tirthankara, having laid the groundwork for Jain doctrines. The 24th and last Tirthankara is Mahavira, the most well-known, whose teachings are central to modern Jain practice.<\/span><\/li>\r\n<\/ul>\r\n

      Jain Tirthankaras of the Next Cosmic Age<\/span><\/h3>\r\n

      Each cosmic age (kala-chakra) in Jain cosmology has 24 Jain Tirthankaras, and the next ascending time cycle (utsarpini) will also create 24 new spiritual masters. According to Jain universal history, time cycles endlessly in falling (avasarpini) and ascending (utsarpini) halves. The present downward cycle concludes with Mahavira as the 24th Tirthankara, following which no more Tirthankaras appear in this age. The next set of 24 Jain Tirthankaras will only form and be born when the new ascending half-cycle of time begins in the far future.<\/span><\/p>\r\n

      Important Tirthankaras of Jainism<\/span><\/h2>\r\n

      The important Jain Tirthankaras include <\/span>Rishabhdev, Parshvanath, Mahavira, Mallinath, and Neminath<\/b>, known for their spiritual teachings, distinctive symbols, historical significance, and influence on Jain philosophy and culture.<\/span><\/p>\r\n

      Rishabhanatha<\/span><\/h3>\r\n

      Rishabhanatha, also known as Adinatha, is regarded as the 1st Tirthankara of Jainism. Jain tradition considers him the earliest Tirthankara of the present cosmic cycle and attributes to him the teaching of the path of spiritual liberation.<\/span><\/p>\r\n

        \r\n\t
      • Role in Jain Tradition:<\/b> He is portrayed as a spiritual teacher and guide who showed people the path of righteous living, self-discipline and eventual liberation from the cycle of rebirth.<\/span><\/li>\r\n\t
      • Spiritual Teachings:<\/b> His teachings emphasised self-control, detachment, austerity and ethical conduct as means of overcoming worldly desires and progressing towards liberation.<\/span><\/li>\r\n\t
      • Iconography:<\/b> His distinctive emblem is the bull, which is used to identify his images and representations in Jain art.<\/span><\/li>\r\n<\/ul>\r\n

        Parshvanath<\/span><\/h3>\r\n

        Parshvanatha is the 23rd Tirthankara and is traditionally associated with Varanasi\/Kashi. Parshvanatha is particularly important because he predates Mahavira and is traditionally associated with a fourfold set of vows. Mahavira later expanded the ascetic framework by giving Brahmacharya a distinct place among the five major vows.<\/span><\/p>\r\n

        Mahavira<\/span><\/h3>\r\n

        Mahavira (Vardhamana) was the 24th and last Tirthankara of Jainism and one of the major spiritual figures of ancient India. Mahavira\u2019s teachings centred on liberation from the cycle of birth and death through ethical conduct, self-discipline, non-violence and renunciation. He emphasised that every living being possesses a soul and can attain liberation through control of desires and spiritual purification.<\/span><\/p>\r\n

          \r\n\t
        • Ahimsa:<\/b> Advocated strict non-violence towards all living beings, making it the foremost ethical principle of Jainism.<\/span><\/li>\r\n\t
        • Five Great Vows:<\/b> Emphasised Ahimsa, Satya (truth), Asteya (non-stealing), Brahmacharya (celibacy) and Aparigraha (non-possession).<\/span><\/li>\r\n\t
        • Triratna:<\/b> Taught Right Faith, Right Knowledge and Right Conduct as the essential path to liberation.<\/span><\/li>\r\n\t
        • Aparigraha:<\/b> Encouraged freedom from material possessions and worldly attachments, which were considered obstacles to spiritual progress.<\/span><\/li>\r\n\t
        • Anekantavada:<\/b> Promoted the idea that reality has multiple aspects and cannot be completely understood from a single viewpoint.<\/span><\/li>\r\n\t
        • Karma:<\/b> Taught that individual actions have consequences and that liberation requires overcoming karmic bondage.<\/span><\/li>\r\n\t
        • Asceticism:<\/b> Stressed austerity, meditation, self-control and renunciation as important means of purifying the soul.<\/span><\/li>\r\n\t
        • Moksha:<\/b> Considered liberation the ultimate goal, achieved when the soul becomes free from karma and the cycle of rebirth.<\/span><\/li>\r\n<\/ul>\r\n

          24 Tirthankaras of Jainism Contributions<\/span><\/h2>\r\n

          The legacy of the 24 Jain Tirthankaras extended beyond religious thought and influenced the development of literature, art, architecture, culture and education in India.<\/span><\/p>\r\n

          Literature<\/span><\/h3>\r\n

          Jain literature preserves the lives, teachings and traditions associated with the 24 Jain Tirthankaras, forming an important part of India\u2019s ancient literary heritage. These traditions were transmitted through Prakrit, Sanskrit and later regional languages.<\/span><\/p>\r\n

            \r\n\t
          • Agamas:<\/b> Jain canonical literature preserves religious teachings attributed to the Tirthankaras, particularly the teachings of Mahavira.<\/span><\/li>\r\n\t
          • Charitras:<\/b> Jain authors composed biographies and legendary accounts of the Tirthankaras, known as Charitra literature.<\/span><\/li>\r\n\t
          • Kalpasutra:<\/b> An important \u015av\u0113t\u0101mbara Jain text containing accounts of Tirthankaras, especially Rishabhanatha, Parshvanatha and Mahavira.<\/span><\/li>\r\n\t
          • Adipurana:<\/b> Jinasena\u2019s Sanskrit work narrates the life of Rishabhanatha and his descendants, linking religious traditions with broader cultural narratives.<\/span><\/li>\r\n\t
          • Prakrit Literature:<\/b> Early Jain texts in Ardhamagadhi and other Prakrit languages played a major role in preserving Jain religious traditions.<\/span><\/li>\r\n<\/ul>\r\n

            Art and Architecture<\/span><\/h3>\r\n

            Jain art and architecture developed around the worship and representation of the Tirthankaras, producing a distinctive tradition of temples, sculptures, caves and paintings. Tirthankara images are generally shown in meditative postures, reflecting their spiritual and ascetic character.<\/span><\/p>\r\n

              \r\n\t
            • Jain architectural heritage includes rock-cut caves, temple complexes and pilgrimage centres, with notable examples at Udayagiri\u2013Khandagiri, Ellora, Dilwara and Shravanabelagola.\u00a0<\/span><\/li>\r\n\t
            • Sculptures and manuscript paintings commonly identify individual Tirthankaras through their distinctive emblems, while temple architecture is marked by detailed carvings, elaborate pillars and finely decorated interiors.<\/span><\/li>\r\n<\/ul>\r\n

              Jain Tirthankaras Significance<\/span><\/h2>\r\n

              The 24 Jain Tirthankaras hold central importance in Jainism as a continuous lineage of spiritual teachers who established and preserved the path towards liberation.<\/span><\/p>\r\n

                \r\n\t
              • Ethical Influence:<\/b> Their traditions contributed to the wider Indian emphasis on non-violence, compassion, self-restraint and simple living.<\/span><\/li>\r\n\t
              • Philosophical Contribution:<\/b> Jain thought associated with the Tirthankaras enriched Indian debates on knowledge, reality, ethics and religious pluralism.<\/span><\/li>\r\n\t
              • Cultural Heritage:<\/b> Inspired extensive traditions of temples, sculptures, paintings, manuscripts and pilgrimage centres.<\/span><\/li>\r\n\t
              • Social Influence:<\/b> Jain communities carried these traditions through education, philanthropy, trade networks and community institutions.<\/span><\/li>\r\n\t
              • Contemporary Relevance:<\/b> Jain principles, particularly Ahimsa and Aparigraha, remain relevant to discussions on peace, sustainability, responsible consumption and animal welfare.<\/span><\/li>\r\n<\/ul>\r\n

                Jain Tirthankaras Naam Karma<\/span><\/h2>\r\n

                Tirthankara Naam Karma is a special form of Nama Karma (body-making karma) in Jain philosophy. According to Jain texts, the bondage of this karma is associated with attaining the status of a Tirthankara in a future birth. The Tattvartha Sutra describes 16 observances\/dispositions associated with the influx of Tirthankara-nama-karma. These include:<\/span><\/p>\r\n

                  \r\n\t
                • Purity of right faith<\/span><\/li>\r\n\t
                • Reverence and humility<\/span><\/li>\r\n\t
                • Faultless observance of vows<\/span><\/li>\r\n\t
                • Constant pursuit of knowledge<\/span><\/li>\r\n\t
                • Fear\/awareness of samsara<\/span><\/li>\r\n\t
                • Charity<\/span><\/li>\r\n\t
                • Austerities according to one's capacity<\/span><\/li>\r\n\t
                • Protecting the spiritual community and maintaining the welfare of ascetics<\/span><\/li>\r\n\t
                • Serving worthy and spiritually advanced persons<\/span><\/li>\r\n\t
                • Devotion to Tirthankaras and enlightened beings<\/span><\/li>\r\n\t
                • Reverence for the Acharya<\/span><\/li>\r\n\t
                • Reverence for learned teachers<\/span><\/li>\r\n\t
                • Reverence for Jain scriptures<\/span><\/li>\r\n\t
                • Regular observance of essential religious duties<\/span><\/li>\r\n\t
                • Propagation and glorification of the Jain path<\/span><\/li>\r\n\t
                • Selfless affection toward fellow followers of the Jain path<\/span><\/li>\r\n<\/ul>","protected":false},"excerpt":{"rendered":"

                  The 24 Jain Tirthankaras are revered spiritual teachers who attained liberation and showed the path of righteousness, non-violence, and self-discipline to living beings.<\/p>\n","protected":false},"author":22,"featured_media":29678,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38,18],"tags":[1997,40,1085],"class_list":["post-29632","post","type-post","status-publish","format-standard","has-post-thumbnail","category-upsc-notes","category-upsc-ancient-history-notes","tag-jain-tirthankaras","tag-quest","tag-upsc-ancient-history-notes"],"acf":[],"_links":{"self":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/29632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/comments?post=29632"}],"version-history":[{"count":4,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/29632\/revisions"}],"predecessor-version":[{"id":29689,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/29632\/revisions\/29689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media\/29678"}],"wp:attachment":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media?parent=29632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/categories?post=29632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/tags?post=29632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}