{"id":31421,"date":"2026-10-29T17:32:47","date_gmt":"2026-10-29T12:02:47","guid":{"rendered":"https:\/\/vajiramandravi.com\/upsc-exam\/?p=31421"},"modified":"2026-10-29T17:32:47","modified_gmt":"2026-10-29T12:02:47","slug":"kalinga-architecture","status":"publish","type":"post","link":"https:\/\/vajiramandravi.com\/upsc-exam\/kalinga-architecture\/","title":{"rendered":"Kalinga Architecture, Types, Components, Features, Examples"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><strong>Kalinga architecture<\/strong> is a unique style of temple building from ancient Kalinga, covering present-day Odisha and nearby areas. It developed between the 6th and 13th centuries, blending religion, art, and skilled craftsmanship, and is mainly classified into Rekha Deul, Pidha Deul, and Khakhara Deul, each serving distinct purposes.<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">Kalinga architecture temples are known for their symbolic design and detailed carvings. The structure reflects the human body, with a base, walls, tower, and mastaka. Famous examples include the Lingaraja Temple, Jagannath Temple, Sun Temple at Konark, and Mukteshwar Temple.<\/span><\/p>\r\n<p><img decoding=\"async\" class=\" wp-image-31477 aligncenter\" src=\"https:\/\/vajiramias.sgp1.cdn.digitaloceanspaces.com\/wp\/upsc-exam\/2026\/10\/29165437\/Kalinga-Architecture.webp\" alt=\"Kalinga Architecture\" width=\"463\" height=\"324\" \/> \u00a0<\/p>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture About<\/span><\/h2>\r\n<p><b>Kalinga architecture<\/b><span style=\"font-weight: 400\"> is a unique regional style of <\/span><strong><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/temple-architecture\/\" target=\"_blank\">temple architecture in India<\/a><\/strong><span style=\"font-weight: 400\"> that developed in ancient Kalinga (present-day Odisha and adjoining regions). It is a distinctive sub-style of the northern Nagara temple tradition and reflects a synthesis of religion, art, and advanced craftsmanship.<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Unlike other regional styles linked to specific dynasties, Kalinga architecture continued for almost a thousand years, making the temples a lasting symbol of the region.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Its best-known surviving monuments are concentrated in Bhubaneswar, Puri, and Konark. Although rooted in the wider Nagara tradition, it developed a distinctive vocabulary of tower forms, wall divisions, and attached halls.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The word \u201cdeula,\u201d also written as \u201cdeul,\u201d is used for a temple or its characteristic architectural form.<\/span><\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture Evolution<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">The Kalinga temple building started around the 6th\u20137th centuries AD under the Sailodbhavas and continued under various dynasties. Kalinga architecture evolution can be divided into four phases, showing the gradual evolution of style, scale, and craftsmanship.<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Formative Phase (6th\u20139th Century): <\/b><span style=\"font-weight: 400\">This phase marks the beginning of Odishan temple architecture, with early temples built under the Sailodbhavas and Bhaumakaras.<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example: <\/b><span style=\"font-weight: 400\">Lakhmaneswar, Bharateswar.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Transitional Phase (late 9th\u2013early 11th Century): <\/b><span style=\"font-weight: 400\">During this period, temples constructed by the later Bhaumakaras and early Somavamshis show a clear evolution in design and decorative sophistication.<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example:<\/b><span style=\"font-weight: 400\"> Vaitala, Mukteswar.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Mature Phase (11th\u201313th Century): <\/b><span style=\"font-weight: 400\">This represents the peak of Odishan temple architecture under the Somavamshis and Eastern Gangas, featuring fully developed layouts, highly refined structures, and elaborate sculptural decoration.\u00a0<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example: <\/b><span style=\"font-weight: 400\">Rajarani, Brahmeswar, Lingaraj, Jagannath Temple, Sun Temple at Konark.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Phase of Decadence (14th\u201316th Century): <\/b><span style=\"font-weight: 400\">Temple building declined under the Suryavamsi Gajapatis due to political challenges, with attention shifting to literary works and smaller-scale constructions.<\/span><\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture Features<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">Kalinga architecture is renowned for its well-planned layouts, symbolic design, and intricate carvings. Every element from the sanctum to the spire reflects spiritual ideas, artistic expression, and cultural heritage.<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Curvilinear Sanctum Tower: <\/b><span style=\"font-weight: 400\">The Rekha Deula rises above the sanctum with a curved outline, producing a strong vertical emphasis.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Stepped Pyramidal Halls: <\/b><span style=\"font-weight: 400\">Pidha roofs consist of horizontal tiers that diminish in size as they rise.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Axial Planning: <\/b><span style=\"font-weight: 400\">Many major Kalinga temples follow an axial arrangement in which the sanctum and adjoining halls are aligned along a common axis. In developed temples, this arrangement may include an assembly hall, a dance hall and a hall for offerings.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Distinctive Goddess Shrines:<\/b><span style=\"font-weight: 400\"> Khakhara Deula temples generally have an elongated, wagon-vaulted roof and are especially associated with goddess worship.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Artistic Ornamentation: <\/b><span style=\"font-weight: 400\">Temples display elaborate decoration that balances mythology and everyday life while maintaining the sanctity of the inner sanctum:<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Exterior: <\/b><span style=\"font-weight: 400\">Walls are richly adorned with images of gods, celestial beings, dancers, musicians, and scenes from daily life.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Interior:<\/b><span style=\"font-weight: 400\"> Deliberately kept simple to preserve sanctity and focus attention on the deity.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Spire Decoration: <\/b><span style=\"font-weight: 400\">Features miniature towers and layered ornamentation, creating rhythm, elegance, and vertical emphasis without overwhelming the overall structure.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h3><span style=\"font-weight: 400\">Kalinga Architecture Structural Components<\/span><\/h3>\r\n<p><span style=\"font-weight: 400\">A developed Kalinga temple often consists of several interconnected structures arranged along a common axis. The precise composition varies according to the temple's period, size and religious function.<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Vimana (deula): <\/b><span style=\"font-weight: 400\">The principal shrine containing the garbhagriha, or sanctum, and its superstructure<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Jagamohana: <\/b><span style=\"font-weight: 400\">The assembly hall or porch in front of the sanctum<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Nata Mandira: <\/b><span style=\"font-weight: 400\">A hall associated with dance, music, and ritual performance<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Bhoga Mandapa:<\/b><span style=\"font-weight: 400\"> A hall associated with offerings<\/span><\/li>\r\n<\/ul>\r\n<h3><span style=\"font-weight: 400\">Kalinga Architecture Vertical Anatomy<\/span><\/h3>\r\n<p><span style=\"font-weight: 400\">The vertical anatomy of a typical Rekha Deula comprises three main divisions: bada, gandi, and mastaka. A raised platform, called a pista, may be identified separately below them.\u00a0<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Bada:<\/b><span style=\"font-weight: 400\"> The bada is the lower, predominantly vertical wall portion of the temple. It supports the superstructure and contains architectural mouldings, niches, and sculptural decoration. In mature examples, the bada is commonly divided into:<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Pabhaga: The basal mouldings.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Tala jangha: The lower wall section.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Bandhana: The horizontal band separating wall sections.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Upara jangha: The upper wall section.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Baranda: The upper mouldings below the tower.\u00a0<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Gandi:<\/b><span style=\"font-weight: 400\"> The gandi is the main superstructure above the bada. Its form varies according to the temple type:<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Curvilinear in a Rekha Deula.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Stepped and pyramidal in a Pidha Deula.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Elongated and vaulted in a Khakhara Deula.\u00a0<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Mastaka:<\/b><span style=\"font-weight: 400\"> The mastaka is the crowning section above the gandi. In Rekha Deula temples, it typically includes a neck-like transition, a ribbed disc or amalaka, and a pot-shaped finial or kalasha, sometimes accompanied by a religious emblem. Its details vary between monuments and architectural forms.<\/span><\/li>\r\n<\/ul>\r\n<h3><span style=\"font-weight: 400\">Kalinga Architecture Construction Techniques<\/span><\/h3>\r\n<p><span style=\"font-weight: 400\">Kalinga-style temple architecture exemplifies regional craftsmanship using locally sourced materials and traditional building methods:<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Materials: <\/b><span style=\"font-weight: 400\">Primarily sandstone, khondalite, and laterite.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Method: <\/b><span style=\"font-weight: 400\">Finely cut stone blocks joined without mortar using dry masonry and reinforced with iron clamps.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Design: <\/b><span style=\"font-weight: 400\">Structures are aligned along a central axis, emphasising verticality, and generally lack large entrance towers (gopurams).<\/span><\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture Temple Types<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">Kalinga style temple architecture is classified into three main types based on the shape of the temple tower. These are Rekha Deul, Pidha Deul, and Khakhara Deul; each type serves a specific purpose and reflects unique design elements.<\/span><\/p>\r\n<p><img decoding=\"async\" class=\"size-full wp-image-31478 aligncenter\" src=\"https:\/\/vajiramias.sgp1.cdn.digitaloceanspaces.com\/wp\/upsc-exam\/2026\/10\/29165440\/Kalinga-Architecture-Classification.webp\" alt=\"Kalinga Architecture Classification\" width=\"512\" height=\"250\" \/><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Rekha Deul (Vimana)<\/b><b>: <\/b><span style=\"font-weight: 400\">This style features a tall, straight, curving spire that rises almost vertically before bending inward at the top. \u201cRekha\u201d means a straight line, and this form usually covers the sanctum where the deity is worshipped.<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example: <\/b><span style=\"font-weight: 400\">Lingaraj Temple in Bhubaneswar and Sri Jagannath Temple, Puri.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Pidha Deul (Jagamohana):<\/b> <span style=\"font-weight: 400\">The roof is built with several platforms stacked one above the other, each smaller than the one below, giving it a stepped pyramid appearance. It generally serves as the assembly hall where devotees gather.<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example: <\/b><span style=\"font-weight: 400\">Jagamohana of the Sun Temple at Konark.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li style=\"font-weight: 400\"><b>Khakhara Deul:<\/b><span style=\"font-weight: 400\"> The roof in this style is shaped like a barrel or gourd, rounded at the top, similar to a pumpkin (\u201ckhakhara\u201d). These temples are less common and mostly dedicated to goddesses worshipped in the Shakti tradition.<\/span>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Example:<\/b><span style=\"font-weight: 400\"> Vaitala Temple in Bhubaneswar.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture Temples<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">Kalinga architecture temples served as spiritual centres as well as hubs of learning, art, and culture. Their carvings offer insights into ancient society. Odisha, especially Bhubaneswar, is known as the Temple City, housing hundreds of temples across centuries. Some of the important temples include:<\/span><\/p>\r\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-31479 aligncenter\" src=\"https:\/\/vajiramias.sgp1.cdn.digitaloceanspaces.com\/wp\/upsc-exam\/2026\/10\/29165442\/Kalinga-Architecture-Major-Temples.webp\" alt=\"Kalinga Architecture Major Temples\" width=\"512\" height=\"224\" \/><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/lingaraja-temple\/\" target=\"_blank\"><b>Lingaraja Temple<\/b><\/a><b>, Bhubaneswar: <\/b><span style=\"font-weight: 400\">Built in the 11th century by the Somavamshi dynasty, Lingaraja Temple is dedicated to Lord Shiva in the form of Harihara, combining Shaiva and Vaishnava traditions. The natamandira (dance hall) was historically used for Devadasi performances, and the vimana rises to about 150 feet.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Jagannath Temple, Puri:<\/b><span style=\"font-weight: 400\"> The temple was built in the 12th century by the Eastern Ganga dynasty. It is dedicated to Lord Jagannath along with Balabhadra and Subhadra. The tower reaches 214 feet and is topped by the Nilachakra. The main entrance, Singhadwara, opens onto the Bada Danda, the grand road leading into the temple complex.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Sun Temple, Konark:<\/b><span style=\"font-weight: 400\"> The temple is among the <\/span><strong><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/unesco-world-heritage-sites-in-india\/\" target=\"_blank\">UNESCO World Heritage Sites in India<\/a><\/strong><span style=\"font-weight: 400\">. The temple was constructed in the 13th century by King Narasimhadeva I. It is dedicated to Surya, the Sun God, and is designed as his chariot with 24 wheels and seven horses. It is famous for its detailed stone carvings of dancers and amorous figures, and for its use of chlorite, laterite, and khondalite.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Vaitala (Baitala) Temple, Bhubaneswar: <\/b><span style=\"font-weight: 400\">Dating to the 8th century, this temple is dedicated to Goddess Chamunda. It is known for its unusual barrel-vaulted roof and three spires, symbolising the goddess\u2019s powers: Maha Saraswati, Mahalaxmi, and Mahakali. The temple also houses an eight-armed Chamunda idol and showcases Tantric motifs.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Mukteshwar Temple, Bhubaneswar: <\/b><span style=\"font-weight: 400\">Built in the 10th century, Mukteshwar Temple is dedicated to Lord Shiva and is often called the \u201cGem of Odisha Architecture.\u201d It is admired for its ornate torana (arched gateway) and detailed carvings, marking the transition to the mature Odisha temple style.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Rajarani Temple, Bhubaneswar: <\/b><span style=\"font-weight: 400\">This 11th-century Shaiva temple is built from red and yellow sandstone and has no presiding deity. It is famous for its sculptures depicting Shiva and Parvati, its five-part vertical wall structure, and delicate decorative motifs, including some erotic carvings.<\/span><\/li>\r\n<\/ul>\r\n<h3><span style=\"font-weight: 400\">Kalinga Architecture Examples<\/span><\/h3>\r\n<p><span style=\"font-weight: 400\">The major temples of Odisha demonstrate different stages and forms of Kalinga architecture.<\/span><\/p>\r\n<ul>\r\n\t<li><b>Examples of Rekha Deula:<\/b>\r\n<ul>\r\n\t<li><span style=\"font-weight: 400\">Lingaraja Temple, Bhubaneswar.<\/span><\/li>\r\n\t<li><span style=\"font-weight: 400\">Jagannath Temple, Puri.<\/span><\/li>\r\n\t<li><span style=\"font-weight: 400\">Mukteswara Temple, Bhubaneswar.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li><b>Examples of Pidha Deula:<\/b>\r\n<ul>\r\n\t<li><span style=\"font-weight: 400\">Jagamohana of the Lingaraja Temple.<\/span><\/li>\r\n\t<li><span style=\"font-weight: 400\">Jagamohana of the Mukteswara Temple.<\/span><\/li>\r\n\t<li><span style=\"font-weight: 400\">Assembly hall of the Konark Sun Temple.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n\t<li><b>Examples of Khakhara Deula:<\/b>\r\n<ul>\r\n\t<li><span style=\"font-weight: 400\">Vaital Deula, Bhubaneswar.<\/span><\/li>\r\n\t<li><span style=\"font-weight: 400\">Varahi Temple, Chaurasi.<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture Significance<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">Kalinga architecture is significant for its contributions to Indian art, architectural history, religious traditions and cultural heritage.<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><b>Regional Identity:<\/b><span style=\"font-weight: 400\"> It demonstrates how Odisha developed a distinctive architectural language within the broader <\/span><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/nagara-style-of-architecture\/\" target=\"_blank\"><span style=\"font-weight: 400\"><strong>Nagara style of architecture<\/strong><\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Architectural Evolution:<\/b><span style=\"font-weight: 400\"> Its surviving temples allow the study of changing plans, wall divisions, tower proportions, and ceremonial spaces.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Sculptural Achievement:<\/b><span style=\"font-weight: 400\"> Figures of deities, dancers, musicians, animals, and ornamental forms reveal the close relationship between sculpture and architecture.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Religious and Cultural History:<\/b><span style=\"font-weight: 400\"> Shaiva, Vaishnava, Shakta, and solar traditions found architectural expression within the regional school.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><b>Heritage Value:<\/b><span style=\"font-weight: 400\"> Konark\u2019s World Heritage status gives the tradition international recognition, while conservation challenges underline the need to protect its materials and structural integrity.<\/span><\/li>\r\n<\/ul>\r\n<h2><span style=\"font-weight: 400\">Kalinga Architecture UPSC PYQs<\/span><\/h2>\r\n<p><b>Q1:<\/b><span style=\"font-weight: 400\"> With reference to the art and archaeological history of India, which one<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">among the following was made earliest? <\/span><b>(UPSC Prelims 2015)<\/b><\/p>\r\n<p><span style=\"font-weight: 400\">(a) Lingaraja Temple at Bhubaneswar<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">(b) Rock-cut Elephant at Dhauli<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">(c) Rock-cut Monuments at Mahabalipuram<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">(d) Varaha Image at Udayagiri Caves.<\/span><\/p>\r\n<p><b>Ans: (b)<\/b><\/p>","protected":false},"excerpt":{"rendered":"<p>Kalinga architecture is a distinct style of temple architecture developed in ancient Kalinga, present-day Odisha. Check out Kalinga temples, types, and features.<\/p>\n","protected":false},"author":22,"featured_media":31485,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38,23],"tags":[2163,40,619],"class_list":["post-31421","post","type-post","status-publish","format-standard","has-post-thumbnail","category-upsc-notes","category-upsc-art-culture-notes","tag-kalinga-architecture","tag-quest","tag-upsc-art-and-culture-notes"],"acf":[],"_links":{"self":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/31421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/comments?post=31421"}],"version-history":[{"count":4,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/31421\/revisions"}],"predecessor-version":[{"id":31480,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/31421\/revisions\/31480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media\/31485"}],"wp:attachment":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media?parent=31421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/categories?post=31421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/tags?post=31421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}