

{"id":9913,"date":"2026-03-15T17:12:55","date_gmt":"2026-03-15T11:42:55","guid":{"rendered":"https:\/\/vajiramandravi.com\/upsc-exam\/?p=9913"},"modified":"2026-03-16T12:40:30","modified_gmt":"2026-03-16T07:10:30","slug":"upsc-hindi-literature-syllabus","status":"publish","type":"post","link":"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-hindi-literature-syllabus\/","title":{"rendered":"UPSC Hindi Literature Optional Syllabus for Paper 1 &#038; 2"},"content":{"rendered":"<p><span style=\"font-weight: 400\">UPSC Hindi Literature Optional Syllabus for UPSC Mains assesses the proficiency of students in Hindi Literature. It covers all areas of hindi literature from classical heritage to modern developments. The goal is to test the skills of students to be able to understand literary works, critical approaches and historical developments of the language.\u00a0<\/span><\/p>\r\n<h2><span style=\"font-weight: 400\">UPSC Hindi Literature Optional Syllabus<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">The UPSC Hindi Literature Optional Syllabus has two papers, Paper 1 and Paper 2 both carrying 250 marks each. While Paper 1 covers historical development of Hindi language, significant dialects and major literary forms from ancient to medieval times. It also includes many important classical and medieval literary works. UPSC Hindi Literature Optional Paper 2 focuses on modern Hindi literature, including prose, poetry and drama with an emphasis on literary criticism and in-depth study of contemporary writers and their contribution to Hindi Literature.\u00a0<\/span><\/p>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td class=\"tb-color\" colspan=\"3\">\r\n<p><span style=\"font-weight: 400\">Overview of Hindi Optional Syllabus for UPSC<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Mains Papers<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Subject<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Marks<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Paper VI<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Hindi Literature Optional Paper 1<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">250<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Paper VII<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Hindi Literature Optional Paper 2<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">250<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"2\">\r\n<p><span style=\"font-weight: 400\">TOTAL<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">500<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"2\">\r\n<p><span style=\"font-weight: 400\">Time Duration<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">3 hours<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h2><span style=\"font-weight: 400\">Hindi Optional Syllabus for UPSC Paper 1<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">Hindi Optional Syllabus for UPSC Paper 1 of Hindi Literature Optional covers the study of development of Hindi from Sanskrit and Prakrit language. A student must learn the linguistic characteristics of Hindi and the impact of other languages on its evolution. Classical and medieval Hindi literature includes an in-depth study of major poets like Tulsidas and Kabir, focusing on their thematic contributions and stylistic nuances. The syllabus also explores the development of various literary forms, including classical poetry, medieval narratives, and folk traditions, tracing their evolution across different periods. Additionally, students must learn significant literary movements and critical texts that have shaped Hindi literature, analyzing their historical and cultural contexts.<\/span><\/p>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td class=\"tb-color\" colspan=\"2\">\r\n<p><span style=\"font-weight: 400\">UPSC Optional Hindi Literature Syllabus Paper 1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Topics of UPSC Hindi Optional Syllabus<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section-A<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">History of Hindi Language and Nagari Lipi<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Grammatical and applied forms of Apbhransh, Awahatta &amp; Arambhik Hindi.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Development of Braj and Awadhi as Literary languages during the medieval period.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Early forms of Khari-boli in Siddha-Nath Sahitya, Khusero, Sant Sahitya, Rahim etc. and Dakhni Hindi.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Development of Khari-boli and Nagari Lipi during the 19th Century<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Standardization of Hindi Bhasha &amp; Nagari Lipi.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Development of Hindi as a National Language during the freedom movement.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The development of Hindi as a National Language of the Union of India.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Scientific &amp; Technical Development of Hindi Language.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent dialects of Hindi and their inter-relationship.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Salient features of Nagari Lipi and the efforts for its reform and standard form of Hindi.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Grammatical structure of Standard Hindi.<\/span><\/li>\r\n<\/ul>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section-B<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">History of Hindi Literature<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The relevance and importance of Hindi literature and tradition of writing History of Hindi Literature.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Literary trends of the following four periods of history of Hindi Literature.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Adikal\u2014Sidh, Nath and Raso Sahitya.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent poets\u2014Chandravardai, Khusaro, Hemchandra, Vidyapati.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Bhaktikal\u2014Sant Kavyadhara, Sufi Kavyadhara, Krishna Bhaktidhara and Ram Bhaktidhara.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent Poets\u2014Kabir, Jayasi, Sur &amp; Tulsi.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Ritikal\u2014Riti Kavya, Riti Badh Kavya &amp; Riti Mukta Kavya.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent Poets\u2014Keshav, Bihari, Padmakar and Ghananand.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Adhunik Kal-<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Renaissance, the development of Prose, Bharatendu Mandal.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent Writers\u2014Bharatendu, Bal Krishna Bhatt &amp; Pratap Narain Mishra.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent trends of modern Hindi Poetry: Chhayavad, Pragativad, Prayogvad, Nai Kavita, Navgeet and Contemporary poetry and Janvadi Kavita. Prominent Poets<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Maithili Sharan Gupta, Prasad, Nirala, Mahadevi, Dinkar, Agyeya, Muktibodh, Nagarjun.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Katha Sahitya<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Upanyas &amp; Realism<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The origin and development of Hindi Novels.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">ProminentNovelists\u2014Premchand, Jain-Kendra, Yashpal, Renu and Bhism Sahani.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The origin and development of Hindi short stories.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent Short Story Writers\u2014Premchand, Prasad, Agyeya, Mohan Rakesh &amp; Krishna Sobti.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Drama &amp; Theatre<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The Origin &amp; Development of Hindi Drama.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent Dramatists\u2014Bharatendu, Prasad, Jagdish Chandra Mathur, Ram Kumar Verma, Mohan Rakesh.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The development of Hindi Theatre<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Criticism<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">The origin and development of Hindi criticism: Saidhantik, Vyavharik, Pragativadi. Manovishleshanvadi &amp; Nai Alochana.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prominent critics\u2014Ramchandra Shukla, Hajari Prasad Dwivedi, Ram Vilas Sharma &amp; Nagendra.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Other forms of Hindi Prose<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Lalit Nibandh, Rekhachitra, Sansmaran, Yatra-vrittant<\/span><\/li>\r\n<\/ul>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h2><span style=\"font-weight: 400\">Hindi Optional Syllabus for UPSC Paper 2<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">UPSC Hindi Literature Optional Paper 2 Syllabus covers literary criticism and modern Hindi literature. Candidates must explore various approaches to literary criticism, including traditional Indian perspectives and modern Western methodologies, and apply these frameworks to Hindi texts. This requires a deep understanding of critical analysis and interpretative techniques.<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">The study of modern Hindi literature involves an in-depth examination of major authors and poets, focusing on their thematic concerns, narrative techniques, and socio-cultural impact. The syllabus also includes an analysis of modern Hindi poetry, prose, and drama from the 19th century onwards, tracing the evolution of literary styles and movements. Additionally, candidates will critically engage with the works of influential writers such as Premchand, Nagarjun, and Agyeya, understanding their contributions to Hindi literature and broader literary trends.<\/span><\/p>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td class=\"tb-color\" colspan=\"2\">\r\n<p><span style=\"font-weight: 400\">UPSC Optional Hindi Literature Syllabus Paper 2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Topics of UPSC Hindi Optional Syllabus<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section-A<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Kabir- Kabir Granthawali, Ed. Shyam Sundar Das (First hundred Sakhis)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Soordas- Bhramar Geetsar, Ed. Ramchandra Shukla (First hundred Padas)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Tulsidas- RamcharitManas (Sundar Kand) Kavitavali (Uttarakhand)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Jayasi- Padmavat Ed. Shyam Sundar Das (Sinhal Dwip Khand &amp; Nagmativiyog Khand)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Bihari- Bihari Ratnakar Ed. Jagannath Prasad Ratnakar (First 100 Dohas)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Maithili Sharan- Bharat Bharati Gupta<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prasad- Kamayani (Chinta and Shraddha Sarg)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Nirala- Rag-Virag, Ed. Ram Vilas Sharma (Ram Ki Shakti Pooja &amp; Kukurmutta)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Dinkar- Kurukshetra<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Agyeya- Aangan Ke Paar Dwar (Asadhya Veena)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Muktiboth- Brahm Rakhashas<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Nagarjun- Badal Ko Ghirte Dekha Hai, Akal Ke Bad, Harijan Gatha.<\/span><\/li>\r\n<\/ul>\r\n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\r\n<p><span style=\"font-weight: 400\">Section-B<\/span><\/p>\r\n<\/td>\r\n<td>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Bharatendu- Bharat Durdasha<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Mohan Rakesh- Ashadh Ka Ek Din<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Ramchandra- Chintamani (Part I) (KavitaKya Shukla Hai, ShraddhaAurBhakti)<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Dr. Satyendra- Nibandh Nilaya\u2014Bal Krishna Bhatt, Premchand, Gulab Rai, Hajari Prasad Dwivedi, Ram Vilas Sharma, Agyeya, Kuber Nath Rai.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Premchand Godan, Premchand ki Sarvashreshtha Kahaniyan, Ed. Amrit Rai\/Manjusha\u2014Prem Chand ki Sarvashreshtha Kahaniyan. Ed. Amrit Rai.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Prasad- Skandagupta<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Yashpal- Divya<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Phaniswar Nath- Maila Anchal Renu<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Mannu Bhandari- Mahabhoj<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Rajendra Yadav- Ek Dunia Samanantar (All Stories)<\/span><\/li>\r\n<\/ul>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h2><span style=\"font-weight: 400\">Hindi Literature Syllabus Books for UPSC Mains<\/span><\/h2>\r\n<p><span style=\"font-weight: 400\">To prepare for UPSC Hindi Literature Syllabus, the following books can be read:<\/span><\/p>\r\n<ul>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\"Hindi Sahitya Ka Itihas\" by Acharya Ram Chandra Shukla, which contains a detailed history of Hindi literature.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\"Adhunik Hindi Sahitya\" by Dr. Nagendra is a must-read to understand the modern forms of literature.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Collections like \"Premchand Ki Kahaniyan\" are significant to understand his contribution.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\"Kamayani\" by Jaishankar Prasad is also an important text to analyze critically.<\/span><\/li>\r\n\t<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Reading selected works of Premchand, Nagarjun, and Agyeya is highly recommended for Paper 2, giving one a good understanding of the key texts and authors.<\/span><\/li>\r\n<\/ul>\r\n<table style=\"width: 85.4192%\">\r\n<thead>\r\n<tr style=\"height: 25px\">\r\n<th class=\"tb-color\" style=\"width: 184.149%;height: 25px;text-align: center\" colspan=\"2\">Other Related UPSC Literature Syllabus<\/th>\r\n<\/tr>\r\n<\/thead>\r\n<tbody>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-assamese-optional-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Assamese Optional Syllabus<\/strong><\/a><\/td>\r\n<td style=\"width: 134.429%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-bengali-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Bengali Literature Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-gujarati-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Gujarati Literature Optional Syllabus<\/strong><\/a><\/td>\r\n<td style=\"width: 134.429%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-hindi-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Hindi Literature Optional Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-maithili-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Maithili Literature Syllabus<\/strong><\/a><\/td>\r\n<td style=\"width: 134.429%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-malayalam-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Malayalam Literature Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-manipuri-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Manipuri Literature Optional Syllabus<\/strong><\/a><\/td>\r\n<td style=\"width: 134.429%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-odia-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Odia Literature Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-punjabi-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Punjabi Literature Syllabus<\/strong><\/a><\/td>\r\n<td style=\"width: 134.429%;height: 25px;text-align: center\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/upsc-telugu-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC Telugu Literature Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 25px\">\r\n<td style=\"width: 49.7196%;height: 25px;text-align: center\" colspan=\"2\"><a href=\"https:\/\/vajiramandravi.com\/upsc-exam\/english-literature-syllabus\/\" target=\"_blank\" rel=\"noopener\" target=\"_blank\"><strong>UPSC English Literature Syllabus<\/strong><\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>","protected":false},"excerpt":{"rendered":"<p>The UPSC Hindi Literature Optional Syllabus comprises two papers. Paper 1 covers Hindi language history, major literary forms, classical poets, and medieval literature. Paper 2 focuses on modern Hindi literature, literary criticism, and key contemporary authors.<\/p>\n","protected":false},"author":23,"featured_media":9887,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[1051,1050,10],"class_list":{"0":"post-9913","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-upsc-cse-exam","8":"tag-hindi-literature-optional-syllabus","9":"tag-hindi-optional-syllabus","10":"tag-upsc"},"acf":[],"_links":{"self":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/9913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/comments?post=9913"}],"version-history":[{"count":5,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/9913\/revisions"}],"predecessor-version":[{"id":20983,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/posts\/9913\/revisions\/20983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media\/9887"}],"wp:attachment":[{"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/media?parent=9913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/categories?post=9913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vajiramandravi.com\/upsc-exam\/wp-json\/wp\/v2\/tags?post=9913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}